A Mayfly Records Spotlight Interview (#4)

Benjamin Murray; aka Arcane Synthetic

Mayfly Records continues to shine a well-deserved spotlight on its roster and those associated with it, in some form or another, in WordPress form. *cough*

This is the Big Time… writ very, very small.

Today’s interview is with New Zealand’s own, the enigmatic multipotentialite, Benjamin Murray. Better known as the time traveling reporter on the human condition, Arcane Synthetic

It has been said that a good gimmick can travel miles. But a good gimmick with talent and brains behind it can travel the entirety of the world. The more Benjamin Murray does with this character, the more interesting it gets for the listener. 

And what a treat it is. 

Q: Tell us a little about yourself. 

What are some of the things that have shaped you – as a person and as an artist? 

What are some of the things you are most proud of? 

Benjamin and Nora

AS: My loves and fears. 

I’m most proud of getting engaged to my fiancée, Nora and in turn creating a baby boy together, Félix.

Who are some of your favorite artists? 

In no particular order – Tool, David Bowie, Nine Inch Nails, Atrium Carceri, Mr. Bungle, Chelsea Wolfe, Michael Jackson, A Perfect Circle, Puscifer, Faith No More, Tomahawk, Fantômas, Killing Joke, Drab Majesty, Sisters Of Mercy, The Cure, Melvins, Meshuggah, Kammarheit, The Doors, Pink Floyd, Tom Waits, Radiohead, N E U R O S H O C K, Lost Cause Industry, Plains Desperate Symphony, Bärkər, Entropy In Motion, The Primary Phase Principle, Rojinski, Ghost Orange, Embracing Discomfort… Too many! I could list so many more… 

What is your favorite book? 

I’m a very slow reader so I tend to not read too many books – lately Audible’s helped change that. For the sake of this question, I’ll go with ‘Hamlet’.

“To thine own self be true.”

Is happiness the primary gauge in Life? And if not, what is?

No. Stillness is the primary gauge in life.

When was it that you decided that music and/or sound design was a passion? 

Is it a passion? 

Why?

Hmm… I’ve always been surrounded by music. It’s had an enormous impact on me. However I think I realised it was and always has been a passion of mine the moment I created my first track as Arcane Synthetic, ‘Quieten’ during one of the many COVID lockdowns in 2021.

Acting was a passion I was always aware of and took immediate action on ever since I can remember anything at all. I think I didn’t feel I possessed any real musical talent until the past few years having first introduced Arcane to the world.

Can you explain the time traveling persona to those that might be unfamiliar with it?  

Arcane Synthetic has been sent by his superiors to travel time and report on the human condition. He’s basically a better version of myself in my imagination.

What is it that you are trying to get across to the listeners you manage to snare?  

What have been your artistic highlights?

I want them to think. Challenge their beliefs. Continually work towards bettering themselves. I most of all want them to participate as artists alongside me expressing their consciousness simultaneously through interpretations of my art.

Any single time my audience receives something, anything at all, that’s meaningful from my work.

Many claim that we do this for ourselves – but if that were truly the case, we’d all pull an Emily Dickinson.

From where have you gained the confidence to put yourself out there (musically or otherwise)? 

I’m neurodivergent, queer, basically in more ways than one, “different” – not someone who naturally fits in with the regular. Like many “odd” people growing up in the 90’s I was severely bullied. I’d be lucky not to have the living shit kicked out of me more than once a week throughout the majority of my school years. That’s just the physical aspect, never mind the emotional/verbal bullying that brought it all together quite nicely…

My point is that having endured that level of abuse in my formative years really destroys one’s confidence. It started a knock on effect of codependency and everything that comes with that flavour of vulnerability. It’s been a journey of self actualisation for me. I guess the moment you begin to accept yourself for who you are then you can kind of do anything you want.    

Our societies have become a sports rivalry Writ Large: My Team vs. Your Team; in politics, in theatre, and even in polite conversation. Who or what do you inevitably cheer for? Who or what do you inevitably hiss? 

I cheer on kindness. I hiss cruelty.

This is a question inspired by Deb LeMotta’s interviews: If you could go back and give your younger self a piece of much needed advice, what would it be?

“Trust yourself”. To this day I still struggle to remember that.

The Time Traveler, Arcane Synthetic

Thank you for reading this peek behind the persona that is Arcane Synthetic. As the wise person ages, a foolish poet once wrote, the more they shrug off, “the slings and the arrows from those that must narrow our happinesses one step at a time”. Having said that, our younger selves are justified in enacting revenge on those that have harmed us. Not necessarily with violence, mind you – but through accomplishment.

Benjamin Murray has far surpassed the bullies and the tormenters of his youth. He has found his happiness, he has his muse to chase, and he creates like a motherfucker*. The bullies will have been found to have created nothing, other than blank and spiraling self-worths.

moth*er*fuck*er | ˈməT͟Hərˌfəkər | 

noun North American English vulgar slang 

1 a despicable or very unpleasant person or thing. 

2 ...one that is formidable, remarkable, or impressive in some way

 

Power to the Imagination.

A Mayfly Records Spotlight Interview (#3)

Casey Rucker; aka Ghost of Rucker

Mayfly Records continues in pointing a well deserved spotlight on its roster. In WordPress form.  *cough*

Today’s interview is with the artist formerly known as … DJ Rucker. Yet so very many of us know him better, and have fallen for his most recent of personas, Ghost of Rucker

Pioneering what has become known as the Ghost-Fi genre, Casey Rucker, as an artist in the good ol’ A/V*, is entirely unique. I am willing to bet that you, the reader, has never experienced anything quite like Ghost of Rucker.

  • A/V = Audio Visuals

He has been described (to this writer) as, ‘one of the kindest, most selfless people in the… music scene’. And from what I know of him, I’d find it hard to believe that anyone could challenge that observation. Few, I find, are as supportive and humble. 

His music has been described (by this writer) as a balm. 

balm | bä(l)m something that has a comforting, soothing, or restorative effect: 
the murmur of the water can provide balm for troubled spirits.

I relate an earful of Ghost of Rucker to a meditation session; a time to step back from oneself and reflect upon whatever it is that requires reflection. And in doing so, I come out the better. 

Q: Tell us a little about yourself. 

GOR: Hi! I’m Casey Rucker, 40 years young, living in Rochester, Minnesota. I’ve got two awesome kids and a fantastic better half who keeps me grounded.

What are some of the things that have shaped you? 

When I was five, my family moved from Phoenix, Arizona to Rochester, Minnesota. It was there that I met my very first best friends—Hmong kids who welcomed me into their vibrant culture and family with open arms. That early connection sparked a lifelong appreciation for Asian cultures.

As I grew up, I was fortunate to form close friendships with Japanese, Chinese, Vietnamese, Cambodian, and Laotian peers. Each relationship deepened my respect and love for their traditions, especially Japanese culture, which holds a special place in my heart.

Hmong children

Those experiences have profoundly shaped the person I am today. One of my biggest dreams is to visit Japan and immerse myself in the culture that inspired me from such a young age.

What are some of the things you are most proud of? 

My children are my greatest pride. Watching them grow into thoughtful, intelligent, kind-hearted souls fills me with a quiet joy that words can barely hold. They are becoming the kind of people the world needs more of, and I’m deeply honored to be their father on this journey.

Who are some of your favorite artists? 

My favorite artists span styles and eras, each one shaping the way I see and feel the world. I’m drawn to the raw power of Deftones, Tool, Metallica, Korn, Kittie, and Baby Metal. I admire the experimental edge of Bärkər, Land of the Loops (Alan Sutherland), Subtlety, Multivariate Outliers, and Histheory. The nostalgic vibes of Sublime and American Head Charge still echo in me, while the indie charm of The Drums and Elkland brings a different kind of joy. I’m inspired by Plains Desperate Symphony, Joe Booe, Black Marine, Feminoise, Storm Kingdom, Arwr Neb, Viking1, Mobius Hills, and so many others in the community whose names deserve their own spotlight. I love you all.

As a kid, I was deeply into video game music and movie soundtracks. Those melodies stayed with me. I also have a deep appreciation for traditional Japanese and Chinese music, where every note feels like a quiet journey through history, which are my biggest musical inspirations.

What is your favorite book?

I am torn between “The Tao of Jeet Kune Do” by Bruce Lee and “The Way of The Samurai” by Inazo Nitobe

Is happiness the primary gauge in Life? And if not, what is? 

Definitely. Happiness is not only my own, but also the happiness of those around me. When suffering surrounds you, it becomes part of you. Your own peace cannot fully bloom until others find theirs.

Q: Now as an artist:

When was it that you decided that music and/or sound design was a passion? 

Is it a passion? 

Music is definitely a passion of mine. I’ve been drawn to instruments for as long as I can remember. There was never a time I felt any differently about it. I did shift from playing real instruments to electronic instruments. Mostly because I want to use many instruments in the music I create, and to buy a Sitar or a shamisen is way out of my price range, but VST’s aren’t. Maybe someday if I randomly become weaththy, I will use real traditional instruments. I’ve always wanted to create music, and I’ve always loved it. Life would seriously suck without it.

Why is it your passion?

Music has carried me through some of the darkest and most difficult moments of my life. It speaks a language that everyone understands, and its power is undeniable. Like medicine, it can heal wounds you didn’t know you had. It can lift you, inspire you, and transport you to places beyond imagination. I’ve always wanted to be part of that magic in any way I could.

 "One good thing about music, when it hits you, you feel no pain."

- Bob Marley

What is it that you are trying to get across to the listeners you manage to snare?  

My only goal is to create music that helps people feel a little better. The world can feel heavy and sad at times, especially as of late, and I’m trying to offer an escape, even if just for a few minutes, and requires no ticket to ride. I don’t expect anything in return, though I deeply and sincerely appreciate every comment, donation, and friendship that comes my way.

Even if no one listened, I would still keep sharing my music with anyone who might find comfort, hope, or healing in it. That’s what it’s all about.

Many claim that we do this for ourselves – but if that were truly the case, we’d all pull an Emily Dickinson.

From where have you gained the confidence to put yourself out there (musically or otherwise)? 

When I first began my journey as a young and pretty dumb.. DJ Rucker, I only showed close friends, then, with some confidence and a few shots of Captain Morgan, I uploaded four songs to my MySpace page, full of hope, fear of rejection and excitement. The very first comment I received was harsh and discouraging. It shook my confidence, and for a while, I hesitated to share my music again. 

By 2023, I was seriously considering giving up. I felt like no one connected with what I was creating, likely because it had no vision, I was just making weird music with no purpose really, although some songs were ok, only a few liked. When I told my children I was going to stop, they begged me not to stop. They told me my instrumental songs helped them sleep, that it brought them comfort. That moment changed everything.

I decided to reinvent myself. DJ Rucker felt like a chapter that had Died, The artist himself, had died, and so I embraced a new identity, Ghost of Rucker. I shifted genres and went back to my roots of Japanese music and video game music, something that always relaxes me. I created a Facebook page, launched a TikTok, and converted my YouTube and Instagram accounts.

The first song I released under this new name was Dim Sum and Tears. After a few more tracks, someone left a comment that felt like a mini review. I wish I remembered their name, but their words made me feel truly seen. It gave me the push I needed to keep going.

Through this journey, I connected with incredible artists like Bärkər, Plains Desperate Symphony, Histheory, Drew Nold, Lost Cause Industry, Vox & Stix, and Nick Lang, among many more. They welcomed me into a community that has transformed my life in ways I never expected.

This community gave me hope, friendship, and a reason to keep creating. I’ll never forget that.

And there you have it, a deeper insight into the Man behind the Ghost. Thank you for reading. In addition to his own Bandcamp page (*linked above*), you can find the good works (and deeds!) of Ghost of Rucker at his personal website. 

L’Imagination Au Pouvoir. 

A Mayfly Records Spotlight Interview (#2)

Tracey Sutcliffe; aka Subtlety

In the next few days, Mayfly Records will be pointing a well deserved spotlight on its roster’s esteemed talents and associations. In WordPress form.  *cough* 

Beggers can, in fact, be choosers.

We soldier on with an interview conducted with highly regarded singer, songwriter, and pianist, Tracey Sutcliffe. Fans in the know will know her better under the stage name Subtlety. And those same in-the-knows will instantly recognize that voice upon one listen. 

Hailing from the mysterious, poisonous, and all-together dingo eaten Australia, Subtlety burst upon the independent scene with her early ’24 full length album ‘Meant to Be‘. A piano balladeer at heart, she has developed quite the following amongst fans and her fellow artists alike.

But what sets Subtlety apart is her willingness to embrace and further the avant-garde. I mean, check out this brilliant homage to, and bending of the classic girl groups of the Motown era:

Q: Tell us a little about yourself.

What are some of the things that have shaped you?

S: My early years as a child involved living a sort of vagabond lifestyle, where my family never stayed too long in one place. The result was me having to attend 5 different Primary Schools in Western Australia and South Australia before the age of 8 years old. I believe that this may have resulted in myself carrying a level of detachment below the surface to survive, to this very day. I also believe it may have given me the courage to perform on stage later on.

Rosemary EP (MR EP 10)

What are some of the things that you are most proud of?

I participated in high level competitive sports like Tennis and Netball and enjoyed various success in both, representing my schools and clubs in South Australia and Interstate. I am also proud that despite the number of schools I attended, I was able to finish at the required highest level and proceed to further education.

Who are some of your favorite artists?

Popular artists in the charts have always gained my attention. It was only as I got older that I became more discerning with my own tastes and not just what the radio feed was. I always appreciated great songwriting with poignant messages from the Bernie Taupin and Elton John era. The ethereal, progressive Pink Floyd appealed to me intellectually and I got swept away into the New Romantic synth laden genre of the 80’s.

What is your favorite book?

It’s actually a book on Philosophy that I have continuously revisited whenever I have felt that some perspective was needed in any situation that I have had to face. It is from 1968 and it is still worth browsing through.

Is happiness the main gauge of Life?

I suppose being at peace with oneself is the most important and that should bring you happiness.

When was it that you decided that music and/or sound design was a passion? 

Music has always moved me, it’s a release, it gathers your thoughts, makes you feel and see what words sometimes cannot convey. In that respect, it has always been one of my closest friends.

Is it a passion? 

Yes, as important as breathing, melody is always present in the mind. 

Why

I don’t have a choice really, it always draws me in and if I can’t hear it, my mind will search for it. Maybe it’s a comfort that is needed to feel alive.

Broken Skies (w. Ayden Thurso)

What is it that you are trying to get across to the listeners you manage to snare?  

The human spirit to me, is so complex and challenged. I think music may be the only way to truly bring people together in harmony, so by pairing thoughtful lyrics to emotive melodies I hope to provide a welcoming space for the listener to reflect on their own internal spirit and how that may help them navigate the environment around them.

What have been your artistic highlights?

Well, being able to compose and write my first song, felt that I had unlocked a key to a very private box, that only few had opened. Artistically, I can honestly say just being respected by my peers who also compose original music has been so rewarding. Collaborating with others to create art in music brings its own freedom and accomplishment, for which I am eternally thankful for, as it makes me feel like we’ve contributed to the artistic environment we live in. Oh and of course joining the artist roster on Mayfly Records!!

C3: C4: Energy – Back cover (MR LP 05)

Many claim that we do this for ourselves – but if that were truly the case, we’d all pull an Emily Dickinson and keep the work to ourselves:

From where have you gained the confidence to put yourself out there (musically or otherwise)?

It was a bandaid initially that just had to be ripped off. I needed to express myself in a way that was going to relieve the internal emotional pressure that had been building up from just years of participating in life and all the pressures  it accompanied.

Finally, 

This is a question inspired by the interviews conducted by Deb LeMotta: If you could go back and give your younger self a piece of needed advice, what would it be?  

Life is a diary, just keep writing.

Thank you for reading. In addition to her own Bandcamp page (linked above), you can find the works of Subtlety on the Mayfly Records Bandcamp page. There you can find the various collaborative efforts that she has contributed to – Uned Drydan’s C3: C4: Energy, the Mayfly Radio compilation, and her work with Bärkər.

Power to the Imagination. 

A Mayfly Records Spotlight Interview (#1)

Tom Parsons; aka Arwr Neb

In the next few days, Mayfly Records will be pointing a well deserved spotlight on its roster’s esteemed talents. In WordPress form.  *cough* 

We start with an interview conducted with Tom Parsons, who has gone under the guise of Arwr Neb these past few years. The last year of it has seen a remarkable output of subversive materials by the artist. Not in quantity, mind you – but in sheer quality.

He is an artist that not only encourages the listener to laugh out loud, but also to pause and think. It’s challenging enough to find a genuinely good person, but when they’re also a talented sound designer with a purposeful vision, it’s an irresistible combination.

Tom Parsons is that good person. 

Q: Tell us a little about yourself. 

AN: I grew up in Minneapolis, Minnesota, the youngest of three kids. I think I was always struggling between acceptance as part of the crowd and shining a light on my own uniqueness.

What are some of the things that have shaped you? 

I started playing music at a fairly young age – starting with piano lessons at the age of six and continuing them throughout my youth until my final year of high school. I also played trumpet in the grade school band and played the bagpipes, competing in solo and band competitions throughout North America. 

I also believe I’ve been shaped by my experiences of living abroad in Asia and in Europe. Getting out of Minneapolis to go to college in Upstate New York really broadened my horizons and gave me a lot of confidence in establishing myself in the world.

What are some of the things that you are most proud of? 

I’m probably most proud of the friendships I’ve cultivated, the knowledge of language and culture that I’ve explored, and the knowledge that has helped me broaden my horizons.

Who are some of your favorite artists? 

I have a pretty broad taste in music. From a young age, I was very taken with classical music, particularly Beethoven and Mozart. That interest blossomed into broader and deeper tastes in the Romantic and Modernist composers, namely Rachmaninoff, Tchaikovsky, and Saint-Saëns. 

As a teenager, I followed mostly pop groups that were mainstream until a friend of mine in eight grade introduced me to such wonders as Devo, Iggy Pop, Talking Heads, The Cure, James Chance (and his various permutations) Kraftwerk (which really stuck with me when I started doing electronic music) and ska bands, such as The Specials and Madness. That’s when the subversiveness in my musical tastes really took root. I’ve been exploring the weird, wacky, wonderful stuff since then.

These days, some of my favorite artists are Four Tet, Super Furry Animals, Datblygu, and Gwenno, and many too many others to name. I just can’t box myself into who is my favorite.

What is your favorite book? 

My favorite book is Breakfast of Champions by Kurt Vonnegut, Jr. He is hands down my favorite author.

Is happiness the main gauge of Life? 

Happiness is a spectrum as far as I’m concerned. It’s not the be all and end all of satisfaction with life, but a pretty good gauge of how well you’re enjoying it. That said, I think it’s important to know what makes you happy in life and not rely on what others tell you it should be, namely a good job, status, etc. When I’m listening to and playing music, I’m at my happiest.

The MindbENdeRs (MR S 07): Neb’s latest

When was it that you decided that music and/or sound design was a passion? 

Initially, it was just a way of me working on music without the need to play in a band. I then started working with Ableton and needed some more formal training. I took a few classes and really enjoyed it. 

Is it a passion? 

Yes, very much so! 

Why

After realizing what sounds I could create, I became enchanted with synthesis and sound design. A whole new world opened up to me and I feel like I can’t go back to the rigidity of pop music.

Profile Diethrol (Uncommon Experience)

What is it that you are trying to get across to the listeners you manage to snare?  

Initially, my focus was to promote the Welsh language in electronic music, and I still aim to do that, but now I’m trying to create sound environments that shake people out of their reliance on traditional formulas of how music is experienced. Whether that makes them uncomfortable or not, but ultimately to make them think about sound in a new way.

What have been your artistic highlights? 

I thought creating my first EP was quite a highlight, but after working on collaborations with such inspiration and talented artists like Bärkər, Subtlety, and Feminoise that has been the greatest highlight so far in my short electronic musical career. 

Amygdala (2024)

Many claim that we do this for ourselves – but if that were truly the case, we’d all pull an Emily Dickinson and keep the work to ourselves:

From where have you gained the confidence to put yourself out there (musically or otherwise)? 

I have developed a close-knit group of supporters, both old friends and new, who have really shown great support to my strange musical endeavors. I never expected to have this much support and am truly grateful for those that have shown an interest in my rantings via sound design.

This is a question inspired by Deb LeMotta’s interviews: If you could go back and give your younger self a piece of needed advice, what would it be?  

I would absolutely tell my younger self to express myself with more passion and less fear of being accepted by polite society. The interesting people are the ones that really matter in this existence.

Tom Parsons – Arwr Neb

Thank you for reading. You can also find the works of Arwr Neb on the Mayfly Records Bandcamp page. There you can find the various collaborative efforts that he has enriched – Uned Drydan’s C3: C4: Energy, Bärkər & Arwr Neb’s Subversions, and the Mayfly Radio compilation.

Power to the Imagination. 

Avoid Panic Buying

With this post, I am going to share one of the single greatest bits of media subversions I have personally come across. As the bits presented here were originally released on SST Records, I can rip and share these tracks with my moral compass unblemished.

Fuck SST Records.

Negativland is a sound, radio, and electronic ‘music’ collective originally based out of the Bay Area in California. They have produced some mighty influential material since 1979. Strong proponents of Culture Jamming, they’ve gone far out of their way to subvert medias. To the points of being sued by U2, Greg Ginn of the aforementioned SST Records, and Shaggy from Scooby Do.

On their ‘break out’ album, Escape From Noise (SST 133) from 1987, the collective did a piece called ‘Christianity is Stupid‘. It used a rather heavy guitar riff and then sampled atop it a sermon by Estus Pirkle. It was cool. The kids liked it. I liked it.

From my own vinyl collection (w. heavily weighted stylus to remove as many skips as possible…).

Christianity is Stupid

On the success of that album, there were the inevitable calls for the ‘band’ to go on tour. At the time, it wasn’t possible for such a sampler and loops-heavy outfit to realistically hit the road. Off shows, sure… but an actual tour?

One of the collective’s founders, Richard Lyons (whom I deeply admired), devised an escape route. He found a real-life case of a young man who had killed his parents and suggested that Negativland’s Christianity is Stupid could have been a possible motive for the tragedy. The local San Francisco media fell for the bait and ran a comprehensive ‘investigative’ story about the band and its alleged connection to the axe murders.

For their next LP, they cut up this news broadcast and made it a basis for an incredible attack on the media and society that resonated strongly with me: Helter Stupid.

Fucking brilliant.

Side One: Helter Stupid

Part One
Part Two
Part Three
Part Four
Part Five

Side Two: The Perfect Cut

The Perfect Cut (Canned Music)
The Perfect Cut (Rooty Poops)
The Perfect Cut (Good As Gold)
The Perfect Cut (Piece of Meat)
The Perfect Cut (White Rabbit And A Dog Named Gidget)
The Perfect Cut (11 Minutes)
The Perfect Cut (48 Hours)

As a bonus, here is the album that put the collective on the map: A Big 10-8 Place (1983)

Public Flipper Unlimited

… a collection of 7″ singles.

You’re So Bored, because You’re Boring.

I am a third generation punk. I embraced and grew old to Husker Du, Minutemen, Bad Brains, Dead Kennedys, and Flipper.

Oh, how I love original Flipper.

No less than respected punk legend Henry Rollins called Flipper, and I am quoting here:

“Blah Blah Look at my tattoos Blah Blah Denis Leary Blah Blah VH1 Blah Blah Heavier Than You!!!!”

And, well… if it is coming from Henry Rollins, you’d be silly not to take it as gospel. He is a spoken word artist and actor, you know. Just like Jello Biafra! And that crazy bag lady down the street who cries drunken soliloquies to her long dead child. But I don’t see her getting her own VH1 show or college spoken word tours, you two-bit carnies.

But I sure loved Flipper. If the bands around them played faster, Flipper slowed it down to a crawl. If the bands around them politicized their inner (and outer) angsty bullshit, Flipper boldly suggested that the Bored (i.e. YOU) were simply Boring. Frankly, they were the most subversive band of the punk era – and possibly beyond. 

Today I am sharing my Flipper-esqe 7″ vinyl collection for anyone that may be interested. These singles are long out of print. No harm, no foul.

Love Canal b/w Ha, Ha, Ha (Front) – Subterranean Records (SUB 7)

Love Canal /Ha, Ha, Ha (1981)

Love Canal b/w Ha, Ha, Ha (Back) – Subterranean Records (SUB 7)
Sexbomb b/w Brainwash (Front) – Subterranean Records (SUB 23)

Sexbomb / Brainwash (1981)

This here single is one of the most outrageous releases of the American punk era. Sexbomb, in itself, pissed off a lot of the more serious punkers – but Brainwash… Brainwash is special in its Subversion. They take a twenty six second bit and repeat it for over six (6!) minutes. I cannot believe the band had the GALL to release this.

And that’s why I love them so.

Forget it. You wouldn’t understand anyway.

Sex Bomb b/w Brainwash (Back) – Subterranean Records (SUB 23)
Get Away b/w The Old Lady That Swallowed The Fly (Front) – Subterranean Records (SUB 35)

Get Away / The Old Lady The Swallowed The Fly – 1982

Get Away / The Old Lady That Swallowed The Fly (Back) – Subterranean Records (SUB 35)

Bruce Lose Solo!

What’s Your Name? / Waking To Sleep (Front) – Subterranean Records (SUB 38)

What’s Your Name? / Waking To Sleep – 1983

What’s Your Name? / Waking To Sleep (Back) – Subterranean Records (SUB 38)

 

 

Rat Music for Rat People

The start of a Compilation Compost…

Not too long after I first began purchasing my own music, I stumbled across Rat Music For Rat People, a compilation album of U.S.* punk rock royalty playing live* in San Francisco, California between the years 1981-82*. The title excited newly minted, teenaged me. I had recently read James Herbert’s 1974 novel The Rats. My imagination ran hot at the possibility: Would there be songs about giant rats and their unwilling food sources?

Not as such.

But the band listing was almost as fascinating as the title: Black Flag, Dead Kennedys, Bad Brains, Circle Jerks… haha! A band named Flipper? Neat! D.O.A., Crucifix, TSOL, The Avengers*, and The Dils*.

– Rat Music For Rat People (Front), 1982 – Go! Records #GO 003

It was a risky purchase for this not so privileged thirteen year old of the inner suburbs. Money was tight. Influences even tighter. I had heard of four of the ten bands, but had only actually listened to two of them at that particular point. And it was a live album*. Even then I knew that live albums were never to be trusted.

Unless it was Johnny Cash. You could always trust Johnny Cash.

In the end, I swung the deal on the merits of the Dead Kennedys name. That was sure to irk my father, the hippie vampire. 

It ended up a wise purchase – and a sucker buy at the same time. The next four or five compilation purchases I would make were, for one reason or another, flat-out amazing…

– Rat Music For Rat People (Back), 1982 – Go! Records #GO 003

But that is neither Here, nor There.

For Mel.

Side One:

1. D.O.A. – America the Beautiful / Fucked Up Ronnie

2. Flipper – Life

3. Circle Jerks – Live Fast, Die Young

4. Bad Brains – How Low Can a Punk Get? / You

5. Crucifix – Steel Case Enclosure

 

Side Two:

6. Dead Kennedys – Forward to Death / I Am the Owl

7. Black Flag – Scream

8. T.S.O.L. – Weathered Statues / Sounds of Laughter

9. The Avengers – Cheap Tragedies

10. The Dils – Blow Up

Tracks 1 & 2 recorded live at the Elite Club, San Francisco, Oct 31, 1981. © Go! Records, © Insect Music
Track 3 recorded live at the Elite Club, San Francisco, May 24, 1982. © Irving Almo
Track 4 recorded live at the Elite Club, San Francisco, March 20, 1982. © Bad Brains/Go! Records
Track 5 recorded at Secret Studios, San Francisco, Aug 3, 1982. © Go! Records

Track 6 recorded live at the Elite Club, San Francisco, March 20, 1982. © Decay Music
Track 7 recorded live at the On Broadway, San Francisco, July 24, 1982. © SST
Track 8 recorded live at the Elite Club, San Francisco, March 20, 1982. © Decay Music
Track 9 recorded at Peter Miller Studios, San Francisco, May 10, 1979. © Go! Records
Track 10 recorded in San Francisco, 1977. © Go! Records

Short Attention Span Theatre #1: A Case of the Punks

Probably my all-time favorite song ever put to vinyl: Ashtray Heart by Captain Beefheart and the Magic Band. Don Van Vliet dynamites the punks and new wavers for essentially ripping him off – in particular the ‘Man on the Porcupine Fence’, Johnny Rotten.

Fair or not, the man had a point.

And Beefheart’s word play in this one is simply off the charts.

You used me like an ashtray heart
Case of the punks. 
Right from the start
I feel like a glass shrimp in a pink panty
With a saccharine chaperone
Make invalids out of supermen
Call in a “shrink”
And pick you up in a girdle
You used me like an ashtray heart
Right from the start
Case of the punks
Another day, another way…
Somebody’s had too much to think
Open up another case of the punks
Each pillow is touted like a rock
The mother / father figure
Somebody’s had too much to think
Send your mother home your navel
Case of the punks
New hearts to the dining rooms
Violet heart cake
Dissolve in new cards, boards, throats, underwear
Ashtray heart
You picked me out, brushed me off
Crushed me while I was burning out
Then you picked me out
Like an ashtray heart
Hid behind the curtain
Waited for me to go out
A man on a porcupine fence
Used me for an ashtray heart
Hit me where the lover hangs out
Stood behind the curtain
While they crushed me out
You used me for an ashtray heart
You looked in the window when I went out
You used me like an ashtray heart.

Bärkər’s One Year Anniversary Spectacular…

… in shitty WordPress oriented fashion (Part Two). 

Celebrating the one year anniversary of my excursion into noise pop (as Bärkər), I asked a former friend of mine to run a sit-down Q&A session with me. I figured that I could maybe shed more light on the motivations and accomplishments of this Bärkər thing, to allow a reversed timeline peek behind the curtain, so to speak.

Unfortunately, that gesture was undone by bad acting.

Yet I am going to continue to humor myself by thinking that the reader might find interest in me covering some releases.

There’s Something You’re Missing – 2024, Mayfly Records

Ghost of Rucker 的幽灵拉克 is a respected low-fi’er on the independent music scene. Besides an ever growing solo discography, Rucker has collaborated with Plains Desperate Symphony (Canada), Nadine De Macedo (Germany), and Nick Lang (U.K.). 

He asked if I wanted to work with him, and I jumped at the chance. 

He presented me an instrumental piece that could have been the lead track off any of his albums. The piece was everything one expects from Rucker; low-fi, melodic, and touching. He handed the track off and gave me free rein to do whatever it was I wanted. I am still honored by that.

There’s Something You’re Missing Back Cover

I added a 30 second prelude that I thought was pretty neat. I then put some effects on a straggler track, which bled through the mix to add interesting sounds. Finally, I took a bit from my prelude and processed it to sound ‘harmonium’, then wove it throughout 2/3rds of the piece. The ending instrumental was, well… Ghostly, almost translucent. 

The dialogue samples came from an anti-media outfit from the early 2000s, these centering on how television (a metaphor for the ilk of today) subjected latchkey children to constant barrages of alcohol ads, sex, and television violence. I thought the finished piece (released October 25, 2024) rather poignant. It sounds different. The listener is taken on a pleasant journey, while still presented an opportunity to think.

I thought it would be a winner. 

Live: From the Basement – Kent, Ohio ’24 – 2024, Mayfly Records

Gimmicks, contrary to the connotations associated them (KISS? 🤮), can be powerful tools in the grand cause of Subversion.

Live: From the Basement (released October 8, 2024) is one of my personal favorites. Rather than pussyfooting around, as I had done for some time, I dove headfirst into the tape loop inspired avant-garde with this extended player (EP). 

Over a played soundscape, pre-recorded loops were triggered, cut up, and then manipulated/processed live. I greatly missed recording in this fashion. I did so with Linda Sharpe for close to two years and always had fun with it. When done ‘properly’, the improvisational aspect can be creatively rewarding.

There is a bit at the end of Not Completely Like Other People (@4’15”) that basically hypnotized me. I came out of it a couple of minutes later and hastily threw in a sample of Reverend Ernest Angley that I stretched and manipulated to interesting effect on, ‘Do You Believe?

I made VERY liberal use of Puremagnetik’s Ember micro collage plug-in when recording this. Ember can do some magical things. In live situations, it can also very easily escape its pen and do some damage to your petunias. You never know. 

Live: From the Basement original back cover

Bärkər’s One Year Anniversary Spectacular…

… in shitty WordPress oriented fashion (Part One).

Celebrating the one year anniversary of my excursion into noise pop, I asked a former friend of mine to run a sit-down Q&A session with me. It was done over Zoom and transcribed by a third party. I figured that I could maybe shed more light on the motivations and accomplishments of this Bärkər thing – allow a peek behind the curtain, so to speak.

Sound interesting? Let’s read on.

Eric Baker (aka Bärkər)

Mayfly Radio – Various Artists – 2025, Mayfly Records

Q: Your latest production is ‘Mayfly Radio Volume One’, which was released on March 5th. I’m counting 14 or 15 independent musicians or personalities on this compilation. How did you manage to convince anyone to work with you on this? Going by your past work, that’s about 14 or 15 more than I’d think possible. 

A: I’ve asked myself that question many times throughout the process. 

Q: Were I you, I’d keep asking… [pause lasts 7 seconds]… Other than riding on coattails, what did you actually do on ‘Mayfly Radio’? 

A: Listen, hold on a minute. Is there something going on here? There are some edges to these questions I wasn’t quite expecting when I asked you to do this.

Q: Coattails it is…

A: Well, actually I compiled and coordinated all of the material, I hammered them into place, I provided background soundscapes to all but one of the spoken word pieces provided me, I engineered the pseudo broadcast, I acted as the disc jockey throughout, and I recorded three originals for the closing segment.

Q: The segment with the least amount of listens. Isn’t that what you were telling me? Now this ‘DJ’ character you portray, Montgomery Van is it? Most radio personalities, or those pretending to be ones, seem to have actual personalities. Why don’t you?

A: Thank you for noticing. I worked rather hard at that. Oftentimes I would record a particular line or bit three or four times, then go back and piece together all of the most awkward deliveries. I wanted the character to come across as stilted and disjointed and socially unable.

Q: So this is autobiographical then.

Q: Moving on… Why?

A: Pardon?

Q: In the context of just about all music available to us, why does your ‘music’ suck?

A:

Q: Why is your music so stripped down and primitive? I mean, what is this?

Living Ghosts – Bärkər & Subtlety – 2025, Mayfly Records

Q: A synth line with loopy side dressings sung by, in your own words, a ‘voice of an Angel’? Wasn’t this already done by Susan Boyle? You know, I was listening to a radio interview where they/them said not to even bother submitting music to stations or labels unless it/tw’it was perfectly pristine. This is the exact opposite!

A: Exactly.

Q: But… why?

A: Imagine spending the limited time we are allowed to chase the muse endlessly trying to lay down ‘The Perfect Track’, the ‘Perfect Guitar Solo’, the pitch perfected ‘Pristine Vocal’. Now imagine that 90% of your fellow musicians are attempting to do the exact same thing; producing the perfect UNIT Over… and Over… and Over again. Eventually, no matter the genre of music, everything begins to sound the same. THAT is the death of creativity. 

Q: …

A: Exactly.

Textures – 2024, Mayfly Records

Q: Your most recent solo release was an EP called ‘Textures’, from this past Christmas Eve. Why does the majority of Bärkər material start off so difficult to listen to? Whether it is an album with the most unnatural openings, or individual songs that spend the first minute or so sounding confused as to where they want to go. Is this a stylized choice, or do you simply not know what you’re doing?

A: I have stated plenty of times that not only am I not a musician, I have inherent distrust towards anyone claiming themselves to be one. In my efforts to sculpt stuff I wish to listen to, I have learned how to bash out notes on a synthesizer or an equivalent, and to program rhythms – but anyone can do that. I consider myself a sound designer; I consider myself an artist (whatever that might mean). To answer the question, I prefer art that challenges. If the listener manages to meet the challenges of my openings, I consider that listener a kindred spirit (whatever that might mean).

Q: So you don’t know what you are doing. Got it.

Subversions – Bärkər & Arwr Neb – 2024, Mayfly Records

Q: You’ve collaborated with four different artists this past year; Feminoise, Subtlety, Ghost of Rucker, and Arwr Neb. Were all of these artists slumming it by working with you, or did you just sell them on snake oil?

A: Um, thanks. This is… I mean, what the fuck? I thought you wanted to do this? You know what? We’ll end this right here. Take care and fuck right off.

* Click*